porktee.net – A woman cannot survive on wine alone she also needs soccer and a dog shirt

Buy this shirt: A woman cannot survive on wine alone she also needs soccer and a dog shirt, hoodie, tannk top and long sleeve tee

When Tom Stoppard’s latest play, Leopoldstadt, opened in the West End of London in February, just weeks before the pandemic shuttered theaters, Stoppard told an interviewer that the show—his 23rd full-length work over a six-decade-plus career—was likely his last. If Leopoldstadt, a deeply personal piece that was hailed as a revelation by the critics who saw it during its truncated run, is indeed Stoppard’s last play, we now have Tom Stoppard: A Life, Hermione Lee’s magisterial biography, to remind us what we will have lost—and what a legacy Stoppard will leave behind.

A woman cannot survive on wine alone she also needs soccer and a dog shirt

There’s a particular pain to reading Gay Bar—a complex work in which author Jeremy Atherton Lin sets out to chronicle the gay clubs and bars of his youth in order to tell the story of LGBTQ+ spaces more broadly—during a pandemic, when queer nightspots are shuttering with no hope of government assistance. For that reason, though, Gay Bar is an essential read in 2021, especially for those who might be unfamiliar with the cultural and historical significance of the “gay bar.” Hopefully, appropriately mourning the queer spaces we’ve lost to gentrification, police violence, the AIDS crisis, and the simple passage of time can serve as a ritual to honor the significance of those spots. —Emma Specter

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Eighth grader Eulabee’s best friend is the striking and confident Maria Fabiola. Until one day she isn’t—they have a falling-out as preteen girls tend to do. Eulabee is both ostracized by Maria and the group of middle schoolers she ringleads. For months they don’t speak. Then the police knock on Eulabee’s door—Maria, they say, is missing. Part coming-of-age story, part mystery, and part cultural reflection on San Francisco during the 1980s (telltale time references include mayor Dianne Feinstein and The Breakfast Club), We Run the Tides captures the pain that comes with the slow erosion of childhood friendships and the innocence they entail. And perhaps more significantly: Often, we never really know someone even if we think we do. —Elise Taylor

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